![]() "I write in obedience to you, my God, who command me to do so through his Excellency the Bishop of Leiria and through your Most Holy Mother and mine. The following is the full text of the "third secret" in its original translation: Sister Lucia-now a Carmelite nun-wrote down the text in 1944, at the request of the local bishop. ![]() The "third secret was written down by Sister Lucia, the only survivor among the three children to whom the Virgin Mary appeared at Fatima in 1917. ( provided details on Cardinal Ratzinger's commentary in a second Feature story below.) VATICAN () - On Monday, June 26, the Vatican released the full text of the "third secret" of Fatima, complete with a commentary by Cardinal Joseph Ratzinger. In lieu of events in May 2000, The Mary Page received permission to duplicate the following news releases: Included in the messages was a warning about a pending new war and the conversion of Russia. The first two "secrets" called for conversion and prayer. “They are an important part of the history of this house, but…”įor now, they remain on the top shelf only.Q: Does the Third Secret of Fatima reveal apocalyptic events?Ī: The Blessed Mother appeared to three shepherd children between May 13 and October 13,1917. How and whether to display them in these sensitive times remains an unresolved dilemma. The highest shelf in his studio was specially built to hold hundreds of glass negatives of these images. It was believed all his images were taken at the camera club, until recent research identified a naked model perched on a chair in the Stafford Terrace drawing room-presumably when the family were on an outing and staff had the day off. At his camera club, Sambourne asked his models to pose in the nude, sometimes in ways that can only be deemed to be pornographic. Beyond his commercial practice, Sambourne took thousands of striking street photographs of London and on his travels-but there are others. Anne Rosse co-founded the Victorian Society, and later sold the house to the Greater London Council, which was transferred, after the council’s abolition, to the Royal Borough of Kensington and Chelsea.īut Sambourne’s photography presents the greatest problem for Robbins. She married well: her daughter Anne was mother of the photographer Antony Armstrong-Jones-Earl of Snowdon and husband to Princess Margaret-and became the Countess of Rosse on her second marriage. Sambourne’s daughter, Maud, meanwhile, made the social jump Sambourne never quite managed. The startling preservation of Sambourne’s house is thanks to Sambourne’s son, Roy, who lived on there, maintaining it as a visual shrine to his father. There is also a long row of small, square boxes on a specially built shelf high on Sambourne’s studio wall, the contents of which remain a significant curatorial problem for curator Daniel Robbins. Sambourne originally trained as an engineer but became a highly successful commercial artist, producing book illustrations, invitations, certificates and decades of cartoons for Punch magazine. An enthusiastic amateur photographer, he left thousands of neatly filed and indexed prints and negatives. The house, now a museum owned by the Royal Borough of Kensington and Chelsea, is about to reopen after an extensive restoration. The overwhelming impression is of stifling Victorian respectability and upper-middle-class prosperity-but neither is quite correct. This is the home of Linley Sambourne, his living space characterised by dark, patterned wallpaper, heavy furniture and walls hung to the ceiling with prints, drawings and photographs. ![]() In the sepulchral gloom of 18 Stafford Terrace, a tall, white house in a narrow Kensington Street, light struggles through windows shielded by heraldic stained glass, blinds, lace curtains and drapes. ![]()
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |